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Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years later, in William Randolph Hearst’ rival New York paper, the Morning Journal.

Both were immensely popular and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the “Yellow Kid”, the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The “Yellow Kid” was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech baloon inside the strip, usually placed above the characters’ heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks’s “Katzenjammer Kids”, based on Wilhelm Busch’s Max and Moritz, a European satire of the nineteenth century. The “Kids” strip, first published in 1897, served as the prototype for future American strips. It contained not only speech baloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 black-and-white comic strips had become a staple of daily newspapers around the country.

The passage suggests that comic strips were popular for which of the following reasons?

A. Readers enjoyed the unusual drawings

B. They were about real-life situations

C. Readers could identify with the characters

D. They provided a break from serious news stories

1
22 tháng 2 2019

Đáp án D.

Câu hỏi: “Đoạn văn đã cho thấy truyện tranh được phổ biến vì những lí do nào sau đây?”

A. Readers enjoyed the unusual drawings: Ngược đọc thích những bản vẽ khác thường – Sai, không có thông tin.

B. They were about real-life situations: Chúng nói về những tình huống thực tế trong cuộc sống – Sai, không phải lí do chính khiến cho truyện tranh được phổ biến.

C. Readers could identify with the characters: Người đọc có thể đồng cảm với các nhân vật – Sai, không có thông tin.

D. They provided a break from serious news stories: Chúng đem lại sự giải lao từ những tin tức quan trọng  - Đúng

Vì sao đáp án D đúng? Đoạn văn cho thấy sự bùng nổ của những mẩu truyện tranh mang ý nghĩa rất lớn với ngành báo chí. Nó không chỉ giúp thúc đẩy doanh số (đoạn 2) mà còn chiếm vai trò quan trọng, là một yếu tố không thể thiếu trong những tờ báo khắp cả nước (đoạn văn cuối). Những tờ báo thường có những mẩu tin tức quan trọng và căng thẳng, chính sự hài hước của những mẩu truyện tranh đã khiến cho chúng được phổ biến trong những tờ báo

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years later, in William Randolph Hearst’ rival New York paper, the Morning Journal.

Both were immensely popular and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the “Yellow Kid”, the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The “Yellow Kid” was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech baloon inside the strip, usually placed above the characters’ heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks’s “Katzenjammer Kids”, based on Wilhelm Busch’s Max and Moritz, a European satire of the nineteenth century. The “Kids” strip, first published in 1897, served as the prototype for future American strips. It contained not only speech baloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 black-and-white comic strips had become a staple of daily newspapers around the country.

Why does the author mention Joseph Pulitzer and William Randolph Hearst?

A. Their comic strips are still published today

B. They owned major competitive newspapers

C. They established New York’s first newspaper

D. They published comic strips about the newspaper war

1
27 tháng 3 2017

Đáp án B.

Keywords: Joseph Pulitzer, William Randolph Hearst.

Clue: The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century: Truyện tranh hiện đại bùng nổ như là đạn dược của một cuộc chiến tranh giữa những gã khổng lồ của báo chí Mỹ trong những năm cuối thế kỷ XIX.

Sau câu này, tác giả đề cập đến Joseph Pulitzer và William Randolph Hearst như là ví dụ cho việc họ sở hữu những tờ báo lớn của báo chí Mỹ mà trong đó mỗi tờ đều có chuyên mục truyện tranh.

Như vậy chọn B. They owned major competitive newspapers: Họ sở hữu những tờ báo lớn mang tính cạnh tranh.

Các đáp án còn lại đều sai hoặc không có thông tin.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years later, in William Randolph Hearst’ rival New York paper, the Morning Journal.

Both were immensely popular and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the “Yellow Kid”, the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The “Yellow Kid” was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech baloon inside the strip, usually placed above the characters’ heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks’s “Katzenjammer Kids”, based on Wilhelm Busch’s Max and Moritz, a European satire of the nineteenth century. The “Kids” strip, first published in 1897, served as the prototype for future American strips. It contained not only speech baloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 black-and-white comic strips had become a staple of daily newspapers around the country.

In what order does the author discuss various comic strips in the passage?

A. In the order in which they were created

B. From most popular to least popular

C. According to the newspaper in which they appeared

D. In alphabetical order by title

1
25 tháng 5 2019

Đáp án A.

Keywords: In what order.

Câu này bắt buộc phải đọc qua nội dung bài, để ý những mốc thời gian tăng dần từ 1894, 1896, 1897, 1904, 1915 ta có thể dễ dàng chọn đáp án A. In the order in which they were created: Theo thứ tự mà chúng được ra đời

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years later, in William Randolph Hearst’ rival New York paper, the Morning Journal.

Both were immensely popular and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the “Yellow Kid”, the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The “Yellow Kid” was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech baloon inside the strip, usually placed above the characters’ heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks’s “Katzenjammer Kids”, based on Wilhelm Busch’s Max and Moritz, a European satire of the nineteenth century. The “Kids” strip, first published in 1897, served as the prototype for future American strips. It contained not only speech baloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 black-and-white comic strips had become a staple of daily newspapers around the country.

The word “incorporate” in paragraph 3 is closest in meaning to _______.

A. combine

B. mention

C. create

D. affect

1
29 tháng 12 2019

Đáp án A.

- incorporate / ɪnˈkɔːpəreɪt / (v): kết hợp, sát nhập

A. combine / kəmˈbaɪn / (v): kết hợp

B. mention (v): đề cập

C. create (v): tạo ra

D. affect (v): ảnh hưởng đến

Ngoài ra ta có thể đoán nghĩa dựa trên câu gốc The first strip to incorporate all the elements of late comics was Rudolph Dirks’s “Katzenjammer Kids”: Loạt truyện đầu tiên kết hợp tất cả yếu tố của truyện tranh gần đây là “Katzenjammer Kids” của Rudolph Dirks

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years later, in William Randolph Hearst’ rival New York paper, the Morning Journal.

Both were immensely popular and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the “Yellow Kid”, the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The “Yellow Kid” was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech baloon inside the strip, usually placed above the characters’ heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks’s “Katzenjammer Kids”, based on Wilhelm Busch’s Max and Moritz, a European satire of the nineteenth century. The “Kids” strip, first published in 1897, served as the prototype for future American strips. It contained not only speech baloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 black-and-white comic strips had become a staple of daily newspapers around the country.

The word “it” in paragraph 2 refers to _______.

A. balloon

B. farce

C. dialogue

D. the “Yellow Kid”

1
24 tháng 1 2019

Đáp án D.

Clue:The “Yellow Kid” was in many ways a pioneer. Its comic dialogue…, and it introduced …”: “Cậu Bé Vàng” ở nhiều phương diện chính là một bộ truyện tiên phong. Những mẩu đối thoại hài hước của truyện,… và nó đã giới thiệu…”.

Từ “it” ở đây sẽ liên quan đến danh từ được nhắc đến trước đó. Dựa vào nghĩa của cả đoạn ta thấy đáp án D. the “Yellow Kid” là đúng

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The modern comic strip started out as ammunition in a newspapaer war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years later, in William Randolph Hearst’ rival New York paper, the Morning Journal.

Both were immensely popular and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the “Yellow Kid”, the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The “Yellow Kid” was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech baloon inside the strip, usually placed above the characters’ heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks’s “Katzenjammer Kids”, based on Wilhelm Busch’s Max and Moritz, a European satire of the nineteenth century. The “Kids” strip, first published in 1897, served as the prototype for future American strips. It contained not only speech baloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 black-and-white comic strips had become a staple of daily newspapers around the country.

What does the passage mainly discuss?

A. The differences between early and modern comic strips

B. Features of early comic strips in the United States

C. The effects of newspapers on comic strip stories

D. A comparison of two popular comic strips

1
8 tháng 12 2018

Đáp án B.

A. The differences between early and modern comic strips: Sự khác biệt giữa truyện tranh ban đầu và truyện tranh hiện đại.

B. Features of early comic strips in the United States: Những đặc điểm của truyện tranh ban đầu ở Mỹ.

C. The effects of newspapaers on comic strip stories: Những tác động của tờ báo tới những mẩu truyện tranh.

D. A comparison of two popular comic strips: Sự so sánh giữa hai loạt truyện nổi tiếng.

Đoạn văn chủ yếu đề cập tới những đặc điểm của truyện tranh qua các thời kì. Như vậy đáp án B là hợp lý nhất.

EXTRA

- feature / ˈfiːtʃə(r) / (n): đặc điểm

- comic strip: truyện tranh (hài hước)

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today's Sunday funnies, appeared two years later, in...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today's Sunday funnies, appeared two years later, in William Randolph Hearst's rival New York paper, the Morning Journal.

Both were immensely popular, and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the "Yellow Kid", the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The "Yellow Kid" was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech balloon inside the strip, usually placed above the characters' heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks's "Katzenjammer Kids," based on Wilhelm Busch's Max and Moritz, a European satire of the nineteenth century. The "Kids" strip, first published in 1897, served as the prototype for future American strips. It contained not only speech balloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of most earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 black-and-white comic strips had become a staple of daily newspapers around the country.

Why does the author mention Joseph Pulitzer and William Randolph Hearst?

A. Their comic strips are still published today

B. They owned major competitive newspapers

C. They established New York’s first newspaper

D. They published comic strips about the newspaper war

1
4 tháng 5 2019

Đáp án B.

Keywords: Joseph Pulitzer, William Randolph Hearst.

Clue: The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century: Truyện tranh hiện đại bùng nổ như là đạn dược của một cuộc chiến tranh giữa những gã khổng lồ của báo chí Mỹ trong những năm cuối thế kỷ XIX.

Sau câu này, tác giả đề cập đến Joseph Pulitzer và William Randolph Hearst như là ví dụ cho việc họ sở hữu những tờ báo lớn của báo chí Mỹ mà trong đó mỗi tờ đều có chuyên mục truyện tranh.

Như vậy chọn B. They owned major competitive newspaper: Họ sở hữu những tờ báo lớn mang tính cạnh tranh.

Các đáp án còn lại đều sai hoặc không có thông tin.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today's Sunday funnies, appeared two...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42.

The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today's Sunday funnies, appeared two years later, in William Randolph Hearst's rival New York paper, the Morning Journal.

Both were immensely popular, and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the "Yellow Kid," the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The "Yellow Kid" was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech ballon inside the strip, usually placed above the characters' heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks's "Katzenjammer Kids," based on Wilhelm Busch's Max and Moritz, a European satire of the nineteenth century. The "Kids" strip, first published in 1897, served as the prototype for future American strips. It contained not only speech balloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind.. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 black-and-white comic strip had become a staple of daily newspapers around the country.

Why does the author mention Joseph Pulitzer and William Randolph Heart?

A. They established New York's first newspaper

B. They published comic strips about the newspaper war

C. Their comic strips are still published today

D. They owned major competitive newspapers

1
22 tháng 9 2018

Tại sao tác giả đề cập đến Joseph Pulitzer và William Randolph Heart?

A. Họ thành lập ra tờ báo đầu tiên của New York.

B. Họ đã xuất bản truyện tranh về những cuộc chiến của báo chí.

C. Những truyện tranh của họ bây giờ vẫn được xuất bản.

D. Họ là người sở hữu những tờ báo lớn mang tính chất cạnh tranh với nhau.

Thông tin: The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century.

Tạm dịch: Khởi đầu của những truyện tranh hiện đại giống như đạn dược trong cuộc chiến của những tòa soạn báo khổng lồ ở cuối thế kỉ 19.

Chọn D

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today's Sunday funnies, appeared two years later, in...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today's Sunday funnies, appeared two years later, in William Randolph Hearst's rival New York paper, the Morning Journal.

Both were immensely popular, and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the "Yellow Kid", the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The "Yellow Kid" was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech balloon inside the strip, usually placed above the characters' heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks's "Katzenjammer Kids," based on Wilhelm Busch's Max and Moritz, a European satire of the nineteenth century. The "Kids" strip, first published in 1897, served as the prototype for future American strips. It contained not only speech balloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of most earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 black-and-white comic strips had become a staple of daily newspapers around the country.

The passage suggests that comic strips were popular for which of the following reasons?

A. Readers enjoyed the unusual drawings

B. They were about real-life situations

C. Readers could identify with the characters

D. They provided a break from serious news stories

1
4 tháng 1 2017

Đáp án D.

Câu hỏi: “Đoạn văn đã cho thấy truyện tranh được phổ biến vì những lí do nào sau đây?”

A. Readers enjoyed the unusual drawings: Người đọc thích những bản vẽ khác thường – Sai, không có thông tin.

B. They were about real-life situations: Chúng nói về những tình huống thực tế trong cuộc sống – Sai, không phải lí do chính khiến cho truyện tranh được phổ biến.

C. Readers could identify with the characters: Người đọc có thể đồng cảm với các nhân vật – Sai, không có thông tin.

D. They provided a break from serious news stories: Chúng đem lại sự giải lao từ những tin tức quan trọng – Đúng.

Vì sao đáp án D đúng? Đoạn văn cho thấy sự bùng nổ của những mẩu truyện tranh mang ý nghĩa rất lớn với ngành báo chí. Nó không chỉ giúp thúc đẩy doanh số (đoạn 2) mà còn chiếm vai trò quan trọng, là một yếu tố không thể thiếu trong những tờ báo khắp cả nước (đoạn văn cuối). Những tờ báo thường có những mẩu tin tức quan trọng và căng thẳng, chính sự hài hước của những mẩu truyện tranh đã khiến cho chúng được phổ biến trong những tờ báo.

Read the following passage and then choose the best answer for each question by circling the corresponding letter A, B, C or D from 36 to 40. The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years...
Đọc tiếp

Read the following passage and then choose the best answer for each question by circling the corresponding letter A, B, C or D from 36 to 40.

The modern comic strip started out as ammunition in a newspaper war between giants of the American press in the late nineteenth century. The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years later, in William Randolph Hearst’s rival New York paper, the Morning Journal.

Both were immensely popular and publishers realized that supplementing the news with comic relief boosted the sale of papers. The Morning Journal started another feature in 1896, the “Yellow Kid”, the first continuous comic character in the United States, whose creator, Richard Outcault, had been lured away from the World by the ambitious Hearst. The “Yellow Kid” was in many ways a pioneer. Its comic dialogue was the strictly urban farce that came to characterize later strips, and it introduced the speech balloon inside the strip, usually placed above the characters’ heads.

The first strip to incorporate all the elements of later comics was Rudolph Dirks’s “Katzenjammer Kids”, based on Wilhelm Busch’s Max and Moritz, a European satire of the nineteenth century. The “Kids” strip, first published in 1897, served as the prototype for future American strips. It contained not only speech balloons, but a continuous cast of characters, and was divided into small regular panels that did away with the larger panoramic scenes of earlier comics.

Newspaper syndication played a major role in spreading the popularity of comic strips throughout the country. Though weekly colored comics came first, daily black-and-white strips were not far behind. The first appeared in the Chicago American in 1904. It was followed by many imitators, and by 1915 blackand-white comic strips had become a staple of daily newspapers around the country.

Why does the author mention Joseph Pulitzer and William Randolph Hearst? 

A. They published comic strips about the newspaper war

B. They established New York's first newspaper

C. Their comic strips are still published today

D. They owned major competitive newspapers

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14 tháng 7 2017

Kiến thức: Đọc hiểu

Giải thích:

Tại sao tác giả đề cập đến Joseph Pulitzer và William Randolph Hearst?

A. Họ đã xuất bản những mẩu truyện tranh về cuộc chiến báo chí.

B. Họ thành lập tờ báo đầu tiên của New York.

C. Truyện tranh của họ vẫn được xuất bản ngày hôm nay.

D. Họ sở hữu những tờ báo cạnh tranh lớn.

Thông tin: The first full-color comic strip appeared in January 1894 in the New York World, owned by Joseph Pulitzer. The first regular weekly full-color comic supplement, similar to today’s Sunday funnies, appeared two years later, in William Randolph Hearst’s rival New York paper, the Morning Journal.

Tạm dịch: Truyện tranh màu đầu tiên xuất hiện vào tháng 1 năm 1894 trên tờ New York World, thuộc sở hữu của Joseph Pulitzer. Bản bổ sung truyện tranh màu hàng tuần đầu tiên, tương tự như trò vui ngày Chủ nhật hôm nay, xuất hiện hai năm sau đó, trên tờ báo của William Randolph Hearst - đối thủ của New York, tờ Morning Journal.

Chọn D