Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each...

LQ

Lê Quỳnh Anh

18 tháng 5 2018

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular type, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually, all movie directors go to the photographable world for their subject matter, but what they do with this material- how they shape and manipulate it- determines their stylistic emphasis.

Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the Filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, to preserve the illusion that their film world is unmanipulated, an objective mirror the actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing. We rarely notice the style in a realistic movie; the artist tends to be self-effacing. The filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that produces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. It is not to suggest that these movies lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.

The phrase "this distinction" in the first paragraph refers to the difference between

A. general and absolute

B. physical reality and raw materials

C. formalists and realists

D. realism and reality

#Mẫu giáo

1

DH

Dương Hoàn Anh

18 tháng 5 2018

Đáp án D

Thông tin: There is also an important difference between realism and reality, although this distinction is often forgotten.

Dịch nghĩa: Ngoài ra còn có một sự khác biệt quan trọng giữa chủ nghĩa thực tế và thực tế, mặc dù sự khác biệt này thường bị bỏ quên.

Phương án D. realism and reality = chủ nghĩa thực tế và thực tế; là phương án chính xác nhất.

A. general and absolute = nói chung và tuyệt đối.

Realism and formalism are merely general, rather than absolute, terms = Chủ nghĩa hiện thực và chủ nghĩa hình thức chỉ là những khái niệm nói chung, chứ không phải tuyệt đối.

Đây không phải là điều mà this distinction nói đến.

B. physical reality and raw materials = thực tại vật lý và nguyên liệu thô

Realism is a particular type, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic = Chủ nghĩa hiện thực là một loại đặc biệt, trong khi thực tế vật chất là nguồn gốc của tất cả các nguyên liệu thô của các bộ phim, cả thực tế và mang tính hình thức.

Đây không phải là điều mà this distinction nói đến.

C. formalists and realists = Những người theo chủ nghĩa hình thức và những người theo chủ nghĩa hiện thực.

Realists, in short, to preserve the illusion that their film world is unmanipulated, an objective mirror the actual world. Formalists, on the other hand, make no such pretense. = Những người theo chủ nghĩa hiện thực, tóm lại, để bảo tồn ảo tưởng rằng thế giới phim ảnh của họ là không bị thao túng, một tấm gương khách quan của thế giới thực tế. Những người theo chủ nghĩa hình thức, mặt khác, không giả vờ như vậy.

Đây không phải là điều mà this distinction nói đến.

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Lê Quỳnh Anh

11 tháng 6 2018

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular type, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually, all movie directors go to the photographable world for their subject matter, but what they do with this material- how they shape and manipulate it- determines their stylistic emphasis.

Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the Filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, to preserve the illusion that their film world is unmanipulated, an objective mirror the actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing. We rarely notice the style in a realistic movie; the artist tends to be self-effacing. The filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that produces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. It is not to suggest that these movies lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.

Which of the following films would most likely use a realist style?

A. A musical drama

B. An animated cartoon

C. A science fiction film

D. A travel documentary

#Mẫu giáo

1

DH

Dương Hoàn Anh

11 tháng 6 2018

Đáp án D

Giải thích: Một bộ phim tài liệu về du lịch là teo phong cách phim hiện thực vì nó tôn trọng các diễn biến thực tế, và các tình tiết được chọn lọc sao cho người xem có cảm giác giống hiện thực nhất.

Ba thể loại phim còn lại đều có tính chất của phim có tính hình thức, với các hình ảnh được chủ động chỉnh sửa.

A. A musical drama = một bộ phim nhạc kịch

B. An animated cartoon = một bộ phim hoạt hình

C. A science fiction film = một bộ phim khoa học viễn tưởng

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LQ

Lê Quỳnh Anh

21 tháng 5 2017

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular type, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually, all movie directors go to the photographable world for their subject matter, but what they do with this material- how they shape and manipulate it- determines their stylistic emphasis.

Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the Filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, to preserve the illusion that their film world is unmanipulated, an objective mirror the actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing. We rarely notice the style in a realistic movie; the artist tends to be self-effacing. The filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that produces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. It is not to suggest that these movies lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.

How can one recognize the formalist style?

A. it mirrors the actual world

B. it obviously manipulated images

C. it uses familiar images

D. it is very impersonal

#Mẫu giáo

1

DH

Dương Hoàn Anh

21 tháng 5 2017

Đáp án B

Thông tin: Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing.

Dịch nghĩa: Những người theo chủ nghĩa hình thức, mặt khác, không giả vờ như vậy. Họ cố tình bóp méo phong cách hóa và nguyên liệu của họ để chỉ người rất ngây thơ mới lầm tưởng một hình ảnh được chỉnh sửa của một đối tượng hoặc sự kiện với sự thật.

Phương án B. it obviously manipulated images = nó chỉnh sửa các hình ảnh một cách rõ ràng; là phương án chính xác nhất.

A. it mirrors the actual world = Nó phản chiếu thế giới thực.

Đây là đặc trưng của phim theo chủ nghĩa hiện thực.

C. it uses familiar images = nó sử dụng các hình ảnh quen thuộc.

Không có thông tin như vậy trong bài.

D. it is very impersonal = nó rất không mang tính cá nhân.

Không có thông tin như vậy trong bài.

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LQ

Lê Quỳnh Anh

18 tháng 1 2018

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular type, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually, all movie directors go to the photographable world for their subject matter, but what they do with this material- how they shape and manipulate it- determines their stylistic emphasis.

Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the Filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, to preserve the illusion that their film world is unmanipulated, an objective mirror the actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing. We rarely notice the style in a realistic movie; the artist tends to be self-effacing. The filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that produces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. It is not to suggest that these movies lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.

With which of the following statements would the author be most likely to agree?

A. Most films are neither exclusively realistic nor formalistic

B. Realistic films are more popular than formalistic ones

C. Realism and formalism are outdated terms

D. Formalistic films are less artistic than realistic ones

#Mẫu giáo

1

DH

Dương Hoàn Anh

18 tháng 1 2018

Đáp án A

Thông tin: Few films are exclusively formalist in style, and fewer yet are completely realist.

Dịch nghĩa: Rất ít phim là duy nhất mang tính hình thức trong phong cách, và càng ít hơn là hoàn toàn mang tính hiện thực.

Phương án A. Most films are neither exclusively realistic nor formalistic = Hầu hết các bộ phim không hoàn toàn mang tính hiện thực hay mang tính hình thức; là phương án dễ được tác giả đồng tình nhất.

B. Realistic films are more popular than formalistic ones = Phim hiện thực phổ biến hơn so với phim mang tính hình thức.

Không có thông tin như vậy trong bài.

C. Realism and formalism are outdated terms = Chủ nghĩa hiện thực và chủ nghĩa hình thức là những khái niệm lỗi thời.

Không có thông tin như vậy trong bài.

D. Formalistic films are less artistic than realistic ones = Các bộ phim mang tính hình thức thì ít mang tính nghệ thuật hơn các bộ phim hiện thực.

Không có thông tin như vậy trong bài.

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LQ

Lê Quỳnh Anh

4 tháng 3 2019

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular type, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually, all movie directors go to the photographable world for their subject matter, but what they do with this material- how they shape and manipulate it- determines their stylistic emphasis.

Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the Filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, to preserve the illusion that their film world is unmanipulated, an objective mirror the actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing. We rarely notice the style in a realistic movie; the artist tends to be self-effacing. The filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that produces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. It is not to suggest that these movies lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.

Whom does the author say is primarily responsible for a style of film?

A. The producer

B. The camera operator

C. The director

D. The actors

#Mẫu giáo

1

DH

Dương Hoàn Anh

4 tháng 3 2019

Đáp án C

Thông tin: Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality.

Dịch nghĩa: Cả đạo diễn theo chủ nghĩa hiện thực và chủ nghĩa hình thức phải chọn (và do đó nhấn mạnh) chi tiết nhất định từ sự mở rộng hỗn loạn của thực tế.

Như vậy chính đạo diễn là người chịu trách nhiệm về phong cách của bộ phim. Phương án C. The director = đạo diễn, là phương án chính xác nhất.

A. The producer = Nhà sản xuất

B. The camera operator = Nguời quay phim

D. The actors = Các diễn viên

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Lê Quỳnh Anh

2 tháng 4 2017

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular type, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually, all movie directors go to the photographable world for their subject matter, but what they do with this material- how they shape and manipulate it- determines their stylistic emphasis.

Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the Filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, to preserve the illusion that their film world is unmanipulated, an objective mirror the actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing. We rarely notice the style in a realistic movie; the artist tends to be self-effacing. The filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that produces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. It is not to suggest that these movies lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.

What does the passage mainly discuss?

A. Styles of filmmaking

B. Filmmaking 100 years ago

C. Acting styles

D. Film plots

#Mẫu giáo

1

DH

Dương Hoàn Anh

2 tháng 4 2017

Đáp án A

Giải thích: Câu chủ đề của bài viết là “Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic.” = Ngay cả trước khi chuyển giao thế kỷ, phim bắt đầu phát triển theo hai hướng chính: thực tế và mang tính hình thức.

Đó là hai phong cáh làm phim khác nhau, sau đó tác giả đi sâu trình bày về hai phong cáh này. Do đó, ý chính của bài là phương án A. Styles of filmmaking = các phong cách làm phim

B. Filmmaking 100 years ago = Việc làm phim 100 năm trước.

Không có thông tin như vậy trong bài.

C. Acting styles = các phong cách diễn phim.

Không có thông tin như vậy trong bài.

D. Film plots = các kịch bản phim.

Không có thông tin như vậy trong bài.

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LQ

Lê Quỳnh Anh

9 tháng 11 2017

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular type, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually, all movie directors go to the photographable world for their subject matter, but what they do with this material- how they shape and manipulate it- determines their stylistic emphasis.

Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the Filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, to preserve the illusion that their film world is unmanipulated, an objective mirror the actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing. We rarely notice the style in a realistic movie; the artist tends to be self-effacing. The filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that produces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. It is not to suggest that these movies lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.

The word "Copiousness" in the second paragraph is closest in meaning to

A. abundance

B. greatness

C. fullness

D. variety

#Mẫu giáo

1

DH

Dương Hoàn Anh

9 tháng 11 2017

Đáp án A

Giải thích: Copiousness (n) = nhiều, phong phú

Abundance (n) = sự nhiều nhặn, phong phú

Dịch nghĩa: In photographing objects and events, the Filmmaker tries to suggest the copiousness of life itself. = Trong chụp ảnh các đối tượng và các sự kiện, các nhà làm phim cố gắng đưa ra sự phong phú của chính cuộc sống.

B. greatness (n) = sự cao cả, sự vĩ đại

C. fullness (n) = sự trọn vẹn

D. variety (n) = sự đa dạng, chủng, loại

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Lê Quỳnh Anh

18 tháng 6 2017

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer for each of the questions.We find that bright children are rarely held back by mixed-ability teaching. On the contrary, both their knowledge and experience are enriched. We feel that there are many disadvantages in streaming pupils. It does not take into account the fact that children develop at different rates. It can have a bad effect on both the bright and the not-so-bright child....

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer for each of the questions.

We find that bright children are rarely held back by mixed-ability teaching. On the contrary, both their knowledge and experience are enriched. We feel that there are many disadvantages in streaming pupils. It does not take into account the fact that children develop at different rates. It can have a bad effect on both the bright and the not-so-bright child. After all, it can be quite discouraging to be at the bottom of the top grade!

Besides, it is rather unreal to grade people just according to their intellectual ability. This is only one aspect of their total personality. We are concerned to develop the abilities of all our pupils to the full, not just their academic ability. We also value personal qualities and social skills, and we find that mixed- ability teaching contributes to all these aspects of learning.

In our classrooms, we work in various ways. The pupils often work in groups: this gives them the opportunity to learn to co-operate, to share, and to develop leadership skills. They also learn how to cope with personal problems as well as learning how to think, to make decisions, to analyze and evaluate, and to communicate effectively. The pupils learn from each other as well as from the teachers.

Sometimes the pupils work in pairs; sometimes they work on individual tasks and assignments, and they can do this at their own speed. They also have some formal class teaching when this is appropriate. We encourage our pupils to use the library, and we teach them the skills they need in order to do this effectively. An advanced pupil can do advanced work; it does not matter what age the child is. We expect our pupils to do their best, not their least, and we give them every encouragement to attain this goal.

Which of the following is NOT mentioned in the passage?

A. Group work gives pupils the opportunity to learn to work together with others.

B. Pupils also learn to develop their reasoning ability.

C. Pupils also learn how to participate in teaching activities.

D. Group work provides the pupils with the opportunity to learn to be capable organizers.

#Mẫu giáo

1

DH

Dương Hoàn Anh

18 tháng 6 2017

Đáp án là C.

A được đề cập: The pupils often work in groups: this gives them the opportunity to learn to co-operate B được đề cập: trong đoạn 2

D được đề cập: The pupils often ... and to develop leadership skills.

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LQ

Lê Quỳnh Anh

22 tháng 6 2017

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer for each of the questions.We find that bright children are rarely held back by mixed-ability teaching. On the contrary, both their knowledge and experience are enriched. We feel that there are many disadvantages in streaming pupils. It does not take into account the fact that children develop at different rates. It can have a bad effect on both the bright and the not-so-bright child....

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer for each of the questions.

We find that bright children are rarely held back by mixed-ability teaching. On the contrary, both their knowledge and experience are enriched. We feel that there are many disadvantages in streaming pupils. It does not take into account the fact that children develop at different rates. It can have a bad effect on both the bright and the not-so-bright child. After all, it can be quite discouraging to be at the bottom of the top grade!

Besides, it is rather unreal to grade people just according to their intellectual ability. This is only one aspect of their total personality. We are concerned to develop the abilities of all our pupils to the full, not just their academic ability. We also value personal qualities and social skills, and we find that mixed- ability teaching contributes to all these aspects of learning.

In our classrooms, we work in various ways. The pupils often work in groups: this gives them the opportunity to learn to co-operate, to share, and to develop leadership skills. They also learn how to cope with personal problems as well as learning how to think, to make decisions, to analyze and evaluate, and to communicate effectively. The pupils learn from each other as well as from the teachers.

Sometimes the pupils work in pairs; sometimes they work on individual tasks and assignments, and they can do this at their own speed. They also have some formal class teaching when this is appropriate. We encourage our pupils to use the library, and we teach them the skills they need in order to do this effectively. An advanced pupil can do advanced work; it does not matter what age the child is. We expect our pupils to do their best, not their least, and we give them every encouragement to attain this goal.

The author’s purpose of writing this passage is to x.

A. recommend pair work and group work classroom activities

B. emphasize the importance of appropriate formal classroom teaching

C. offer advice on the proper use of the school library

D. argue for teaching bright and not-so-bright pupils in the same class

#Mẫu giáo

1

DH

Dương Hoàn Anh

22 tháng 6 2017

Đáp án là D.

Dựa vào ý: It can have a bad effect on both the bright and the not-so-bright child.

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