Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the
correct answer to each of the questions from 35 to 42.
Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the cities’ outskirts, and potters and makers of terra-cotta figurines were also established well within the city of Athens itself. The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot. Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.; its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature during an extended three-stage period if firing the clayware. Whether it was the potters or the vase-painters who initiated changes in firing is unclear; the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other.
The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Tliasos produced many types of pottery and roof tiles too, presumably to meet local demand. Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production. There were also a number of poor-quality figurines and painted pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.
It can be inferred from the passage that terra-cotta had which of the following advantages?
A. It did not break during the firing process.
B. It was less expensive than other available materials.
C. Its surface had a lasting shine.
D. It could be used for many purposes.
Chọn đáp án D
Chúng ta có thể suy ra từ bài đọc rằng đất nung có những lợi ích nào sau đây?
A. Nó không bị vỡ suốt quá trình nung
B. Nó rẻ hơn các vật liệu có sẵn khác
C. Bề mặt của nó sáng bóng lâu
D. Nó có thể được sử dụng cho nhiều mục đích
Dẫn chứng: “The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes” (Ứng dụng của đất nung là rất rộng nên các công nhân có thể tự giới hạn mình với các đồ dùng gia đình trang trí như nồi nấu ăn và chum dự trữ hoặc vật liệu xây dựng như ngói và ống thoát nước.)